Cecile Aubert (Universite Paris IX,Dauphine, France) Pranab K. Bardhan (Department of Economics, University of California, Berkeley) Jeff Dayton-Johnson (OECD Development Centre, Paris)
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Though widespread, the practice of public subsidies for cultural activity lacks a rigorous and consistent economic rationale. We analyze a canonical market structure that characterizes much cultural activity: the competition of mass-produced goods with heterogeneous non- standardized goods that are imperfect substitutes. We analyze several types of market failure: uncertainty about preferences (we do not know what we like, and we do not know what we might like in the future); endogeneity of preferences (we like what our neighbors talk about, and we like what we're accustomed to); and externalities associated with production (future production costs are determined by current production). The model provides a basis for cultural subsidies to promote social welfare and economic development.
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Paper provided by EconWPA in its series Public Economics with number
0407001.
References listed on IDEAS Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
Sen, Amartya, 1988.
"The concept of development,"
Handbook of Development Economics,
in: Hollis Chenery† & T.N. Srinivasan (ed.), Handbook of Development Economics, edition 1, volume 1, chapter 1, pages 9-26
Elsevier.
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